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Not really actually. It was moreso, a day to actually help Ryan, with his book. Ryan A. (Author), Redgie A. (Editor, one of many), and me (Concept & Design, Artist) all hung out at Ryan's house, and I finally caught up, on what would happen in the book. And there's some pretty sweet and sick stuff in that book I'm going to translate in both shades and sketches. Now if onnly I could convince him to slip in some Beatles references that could be easily worked into there... *cough*getback,yellowsubmarine*cough* :] And I'd say what happens in the duology novels but all I'll say is: It ends like a certain movie that everyone knows and many

The novel artwork is slowly slowing down, as I feared it was going to. More homework equals less time to actually do artwork, that will land me some cash. But then again, Ryan and I are both working, and we're the ones who will actually receive money. (Sorry editors!) But then there's a new problem, about receiving money. Ryan found this one place online I believe, and not only will it publish the book, but it'll put it up on Amazon.com. It gets me excited, as this'll introduce it to the world, but I worry, as I wonder who buys a book from Amazon.com? Except for Harry Potter people, I respect that. But worse: they take like 45% of t

I've been 'hired' to do some concept art for my friend's novel (still in progress), The Chairman's Son.  This has been a few months back, but I'm finally getting around to some interesting stuff. I've already supplied, what is right now considered to be the final draft cover. But there's always room for progress. I haven't even read the drafts yet, and there's a few storyboards and concepts I have to go over and sketch. Interesting approach for a novel, in my opinion. Apparently I'm getting half of the profits he makes, but I'm a little skeptical. I mean, if he has like 3 editors already lined up, and if this book actually gets famous, then t